"John Singer Sargent v. 2" by Richard Ormond

John Singer Sargent v. 2 Portraits of the 1890s; Complete Paintings Richard Ormond, Elaine Kilmurray, Warren Adelson

The Paul Mellon Centre for Studies in British Art
Publication date:
02 Oct 2002
Yale University Press
256 pages: 310 x 248 x 32mm
200 colour pl 60 illustrations

This is the second volume of the catalogue raisonne of the work of the American painter John Singer Sargent (1856-1925). It comprises over 150 formal portraits and portrait sketches in oil and watercolour that he painted between 1889 and 1900. The catalogued works have been grouped into chronological sections, each with its own introduction to set the particular group in context. In addition, an overall introduction places Sargent in the context of European portraiture of the past and of his own time. Each work is documented in depth: entries include traditional data about the painting or watercolour; details of the work's provenance, exhibition history, and bibliography; a short biography of the sitter; a discussion of the circumstances in which the work was created; and a critical discussion of its subject matter, style, and significance in Sargent's career. With very few exceptions, all the works are reproduced in colour. There is also an illustrated inventory of Sargent's studio props and accessories and a cross-referenced checklist of the portraits in which they appear.

Richard Ormond, great nephew of John Singer Sargent, is Samuel H. Kress Professor at the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C. Elaine Kilmurray is Research Director of the Sargent catalogue raisonne project.

'The three books reproduce all 600-plus known portraits, almost all in colour...a great portraitist now, thanks to these three volumes, surely completely rehabilitated' - The Times
'...these three volumes not only achieve the highest standards of scholarship but also if book production' - The Art Newspaper
'This superb monument of art scholarship finally does justice to the greatest portrait painter of modern times' - The Sunday Telegraph