Palladio's Venice Architecture and Society in a Renaissance Republic Tracy E. Cooper

One of the major figures of Western architecture, the celebrated Renaissance architect Andrea Palladio (1508-1580), devoted a significant portion of his career to the city of Venice. He had arrived in the mid-1550s intent on establishing a successful practice. The fame of public buildings he had designed for his native Vicenza, as well as country villas built for wealthy Vicentine and Venetian patricians, had established a reputation that preceded him to Venice. His prior engagement with the academic circles of Vicenza and Padua had introduced him to Venetian humanists who formed a network of patronage instrumental to his entry into the capital. It was these scholars' study of ancient Rome and classical learning, as well as new scientific methodologies, that infused his own theory and practice of architecture. Palladio's Venetian career, however, was never to match his lofty expectations. He was never to operate from the official position of state architect, as did his predecessor and rival, Jacopo Sansovino, and instead of specialising in grand palaces for private clients, he found himself working in a category new to his practice: ecclesiastical architecture. It would be these stunning churches, however, epitomes of Renaissance architectural design such as San Giorgio Maggiore and Il Redentore, that would establish his lasting renown. In spite of the significant role Venice played in the architect's reputation, this has never before been the subject of a monographic study. This fascinating and beautifully illustrated book takes an innovative approach to Palladio's work. Not only does the book cover his major monuments, but less well-known work for charitable foundations, convents, expert engineering advice, designs for triumphal processions, and his part in rebuilding the Ducal Palace. Furthermore, Palladio's architecture is considered in concordance with its contemporary decoration, providing a relevant art historical and cultural context for the Venice of Titian, Sansovino, Veronese, and Tintoretto.

Tracy E. Cooper is Associate Professor, Temple University, and is the author of Renaissance (1995).

'This is the first [book] to deal exclusively with Palladio's work in Venice... [It] is scholarly and thorough.' - George Saumarez Smith, Architects Journal

'This is actually two books in one: firstly, a scholarly study of most of Palladio's Venetian works...secondly, the book is a fascinating depiction of Venetian society at the time...These buildings of grandeur and simplicity have long deserved such a thorough and scholoarly examination. In this magisterial monograph they finally got one.' - Andrew Schering, The Tablet

'What the reader is presented with is a visually lavish book, but one that demands and rewards close reading. This is a densely argued and challenging book which goes a long way towards claiming Venice as the city where Andrea Palladio made his greatest contribution to his architecture.' - Gabrielle Neher, The Art Book

'Professor Cooper's...deep learning, measured judgements, sensitive treatment, and far-reaching command of the social setting will make this the standard account for generations.' - Theodore K. Rabb, Art Newspaper