Inspiring Impressionism The Impressionists and the Art of the Past Xavier Bray, Michael Clarke, John Collins, Ann Dumas, John House, Frances Suzman Jowell, Richard Rand, Lesley Stevenson

"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a deep exploration of the art of the past. Presenting Impressionist works by artists including Manet, Monet, Degas, Bazille, Cassatt, and Cezanne alongside those of Raphael, El Greco, Rubens, Velazquez, and others, the book shows that while the Impressionists moved toward modernity and spontaneity, they remained conscious of and interested in the traditions, techniques, and subject matter of their predecessors. Essays by leading scholars reveal the ways Impressionists drew inspiration from earlier artists from periods ranging from the Italian Renaissance through the early 19th-century Classical and Romantic traditions. A detailed chronology and fascinating comparisons of landscapes, portraits, nudes, still lifes, and genre paintings provide readers with new opportunities to understand the work of both the Impressionists and Old Masters.

Xavier Bray is assistant curator of 17th- and 18th-century Spanish and Italian Painting at the National Gallery, London. Michael Clarke is Keeper of the National Gallery of Scotland. John Collins is assistant curator of European Art at the National Gallery of Canada. Ann Dumas is a freelance art historian based in London. John House is the Walter H. Annenberg Professor at the Courtauld Institute of Art, London. Frances Jowell is an authority on Dutch 17th-century art. Richard Rand is senior curator at the Sterling and Francine Clark Art Institute. Lesley Stevenson is senior conservator of paintings at the National Galleries of Scotland.

'The thesis ... is a brilliant and genuinely illuminating take on the most familiar of all art movements.' - David Ekserdjian, The Spectator

'The relationship between impressionism and the art of the past has become a subject of increasing importance for scholars in recent decades. Inspiring Impressionism ... is therefore a timely summary of the present state of knowledge.' Christopher Lloyd, The Art Newspaper