The Radical Camera New York's Photo League, 1936-1951 Mason Klein, Catherine Evans
- Price: £35.00
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- Series:
- Jewish Museum
- Format:
- Hardback
- Publication date:
- 04 Nov 2011
- ISBN:
- 9780300146875
- Dimensions:
- 224 pages: 279 x 229 x 25mm
- Illustrations:
- 150 duotones + 76 black-&-white illustrations
Categories:
Artists in 'the Photo League', active from 1936 to 1951, were known for capturing sharply revealing, compelling moments from everyday life. Their focus centred on New York City and its vibrant streets - a newsboy at work, a brass band on a bustling corner, a crowded beach at Coney Island. Though beautiful, the images harbour strong social commentary on issues of class, child labour, and opportunity.
The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in 'The Photo League' worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. The influence of 'the Photo League' artists on modern photography was enormous, ushering in the New York School.
Presenting 150 works of the members of 'the Photo League' alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this beautifully illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
Mason Klein is curator at The Jewish Museum, New York. He is the author of Modigliani: Beyond the Myth and Alias Man Ray. Catherine Evans is the William and Sarah Ross Soter Curator of Photography at the Columbus Museum of Art.
"This is conscience-led photography at its shining best."—Lucy Davis, Sunday Telegraph 'Seven'
"An excellent volume."—William Meyers, Standpoint
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