Renegade Henry Miller and the Making of Tropic of Cancer Frederick W. Turner
- Price: £20.00
- Add to Basket Buy ebook
- Series:
- Icons of America
- Format:
- Hardback
- Publication date:
- 07 Feb 2012
- ISBN:
- 9780300149494
- Dimensions:
- 256 pages: 210 x 140 x 23mm
Categories:
Though branded as pornography for its graphic language and explicit sexuality, Henry Miller's Tropic of Cancer is far more than a work that tested American censorship laws. In this riveting book, published to coincide with the fiftieth anniversary of Tropic of Cancer's initial U.S. release, Frederick Turner investigates Miller's unconventional novel, its tumultuous publishing history, and its unique place in American letters.
Written in the slums of a foreign city by a man who was an utter literary failure in his homeland, Tropic of Cancer was published in 1934 by a pornographer in Paris, but soon banned in the United States. Not until 1961, when Grove Press triumphed over the censors, did Miller's book appear in American bookstores. Turner argues that Tropic of Cancer is 'lawless, violent, colorful, misogynistic, anarchical, bigoted, and shaped by the same forces that shaped the nation'. Further, the novel draws on more than two centuries of New World history, folklore, and popular culture in ways never attempted before. How Henry Miller, outcast and renegade, came to understand what literary dynamite he had within him, how he learned to sound his 'war whoop' over the roofs of the world, is the subject of Turner's revelatory study.
Frederick Turner is the author or editor of a dozen books, including Into the Heart of Life: Henry Miller at One Hundred. He lives in Santa Fe, New Mexico.
"Turner provides a great deal of background to show how deeply autobiographical [Tropic of Cancer] is in its gritty details and its in-your-face ethos."--Ron Antonucci, Booklist
"This short, erudite and highly coloured account of Miller’s creative backstory explores both an extraordinary American life and Miller’s ‘renegade’ American inheritance."—Robert McCrum, The Observer
"Sympathetic and colourfully told narrative." Steven Poole, The Guardian
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