Digging and Dealing in Eighteenth-century Rome Ilaria Bignamini, Clare Hornsby

Series:
Paul Mellon Centre for Studies in British Art
Format:
Hardback
Publication date:
02 Feb 2010
ISBN:
9780300160437
Dimensions:
288, 176 pages: 270 x 217 x 53mm
Illustrations:
200 black-&-white illustrations + 50 colour images

This important and long-awaited book offers first overview of all British-led excavation sites in and around Rome in the Golden Age of the Grand Tour in the eighteenth century. Based on work carried out by the late Ilaria Bignamini, the authors have undertaken the monumental task of tracing sculptures and other works of art that are currently in public collections around the world from their original find sites via the dealers and entrepreneurs to the private collectors in Britain. In the first of two extensively illustrated volumes, approximately fifty sites, each located by maps, are analysed in historical and topographical detail, supported by fifty newly written and researched biographies of the major names in the Anglo-Italian world of dealing and collecting. Essays by Bignamini and Hornsby introduce the field of study and elucidate the complex bureaucracy of the relevant departments of the Papal courts. The second volume of the books is a collection of hundreds of letters from the dealers and excavators abroad to collectors in England, offering a rich source of information about all aspects of the art market at the time. The book is an invaluable resource for scholars working in a rapidly expanding area where European art and cultural history meets archaeology.

Ilaria Bignamini was an historian of art and archeology. Clare Hornsby is Research Fellow at the British School at Rome.

"These two volumes provide a wonderfully rich excavation site for scholars to mine with gratitude and enjoyment." -Jonathon Scott, Burlington Magazine

"This is a fascinating exploration and interrogation of Italian and English archives relating to the exploitation and removal of antiquities aplenty from Rome and its environs by elites and their agents during the so-called 'Golden Age' of the Grand Tour…..[it is a] major new corpus on 'the British conquest of the marbles of ancient Rome'."—Neil Christie, The Antiquaries Journal