C.S. Lewis's Lost Aeneid Arms and the Exile A. T. Reyes
- Price: £18.99
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- Format:
- Hardback
- Publication date:
- 04 Mar 2011
- ISBN:
- 9780300167177
- Dimensions:
- 184 pages: 210 x 140 x 24mm
- Illustrations:
- Illustrations, maps
Categories:
C.S. Lewis (1898-1963) is best remembered as a literary critic, essayist, theologian, and novelist, and his famed tales The Chronicles of Narnia and The Screwtape Letters have been read by millions. Now, Andres Reyes reveals a different side of this diverse man of letters: translator. Reyes introduces the surviving fragments of Lewis' translation of Virgil's epic poem, which were rescued from a bonfire. They are presented in parallel with the Latin text, and are accompanied by synopses of missing sections, and an informative glossary. Writes Lewis in A Preface to Paradise Lost, 'Virgil uses something more subtle than mere length of time ... It is this which gives the reader of The Aeneid the sense of having lived through so much. No man who has read it with full perception remains an adolescent'. His admiration for The Aeneid, written in the 1st century BC and unfolding the adventures of Aeneas, a Trojan who travelled to Italy and became the ancestor of the Romans, is evident in his remarkably lyrical translation. C.S. Lewis' Lost Aeneid is part detective story, as Reyes recounts the dramatic rescue of the fragments and his efforts to collect and organize them, and part illuminating look at a lesser-known and intriguing aspect of Lewis' work.
A memorial stone to writer and scholar C.S. Lewis is to be placed in Poets' Corner in Westminster Abbey in 2013.
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A. T. Reyes read classics at Harvard and Oxford, where he became involved in advising Walter Hooper on Lewis's classical references in his Letters. He now teaches classics at Groton School, Massachusetts.
“The publication of a substantial new C.S. Lewis title is always a literary event and this book is no exception…Devotees should waste no time in getting hold of it, and those as yet unfamiliar with the works of the master will find it the perfect introduction to his genius.” —Michael O’Sullivan, The Tablet
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