Matisse Radical Invention, 1913-1917 Stephanie D'Alessandro, John Elderfield

The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colours black and grey, these compositions are rigorously abstracted and purged of nearly all descriptive detail. This handsome book represents the first sustained examination of Matisse's output from this important period, revealing fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research. It features in-depth studies of individual works such as "Bathers by a River" and "The Moroccans", which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artist's innovative process and radical stylistic evolution.

Stephanie D'Alessandro is the Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. John Elderfield is the Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art.