A beautifully illustrated, concise critical analysis of the art, careers, and reception of the husband-wife team of artists known as Les Lalanne
François-Xavier (1927–2008) and Claude (1925–2019) Lalanne were a husband-wife team of artists who created inventive and often surprising works that have been widely admired and collected since the 1960s. This book presents a carefully selected group of sculptures that focus on a shared preoccupation of the artists: the transformation of natural forms to serve new purposes, such as François-Xavier’s giant grasshopper sculpture that opens into a bar and Claude’s bench made of galvanized metal branches and vines such that it remains as much a forest as a place to sit. Critical analysis explores the full breadth of the artists’ careers; considers the complex issues of reception and categorization of their work; and prompts a reevaluation of the place their art occupies in the context of art museums, all while encouraging readers to consider relationships among nature, art, and their own encounters with both.
Distributed for the Clark Art Institute
Clark Art Institute, Williamstown, MA (May 8–October 31, 2021)
Kathleen M. Morris is the Sylvia and Leonard Marx Director of Collections and Exhibitions and the curator of decorative arts at the Clark Art Institute, Williamstown, MA.
Sign up to the Yale newsletter for book news, offers, free extracts and more
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.