Facing Beauty Painted Women and Cosmetic Art Aileen Ribeiro

Publication date:
15 Nov 2011
Yale University Press
256 pages: 279 x 229mm
100 color + 50 b-w illus.
Sales territories:

Facing BeautyThroughout the history of the Western world, countless attempts have been made to define beauty in art and life, especially with regard to women's bodies and faces. Facing Beauty examines concepts of female beauty in terms of the ideal and the real, investigating paradigms of beauty as represented in art and literature and how beauty has been enhanced by cosmetics and hairstyles.

This thought-provoking book discusses the shifting perceptions of female beauty, concentrating on the period from about 1540 to 1940. It begins with the Renaissance, when a renewed emphasis on the individual was reflected in the celebration of beauty in the portraits of the day. The fluid, sensual lines of the Baroque period initiated a shift toward a more 'natural' look, giving way in the 18th century to a more stylized and artificial face, a mask of ideal beauty. By the late 19th century, commercial beauty preparations had become more readily available, leading to new beauty industry technological developments in the early 20th century. Beauty salons and the wider availability of cosmetics revolutionized the way women saw themselves.

Ravishing images of some of the most beautiful women in history, both real and ideal, accompanied by illustrations from costume books, fashion plates, advertisements, caricatures, and cosmetics, bring the evolving story of beauty to life on these pages.

Aileen Ribeiro is Professor Emeritus in the history of art at the Courtauld Institute of Art, London.

"A well illustrated and intriguing book."—Richard Edmonds, Birmingham Post

"There is no doubting Ribeiro’s scholarship... possessed of a healthy sense of humour, and there are many amusing vignettes scattered throughout the book... Ribeiro writes convincingly."—Carl Dixon, Irish Examiner

"Beautifully produced… The hansom reproductions of paintings, prints and photographs more than do justice to the author’s careful analysis of her visual sources… In this engaging contribution to the study of female appearance, the reader has been offered an exploration which skilfully appeals to both intellect and desire." Alexander Kim, Costume

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