Art of the Actual Naturalism and Style in Early Third Republic France, 1880-1900 Richard Thomson

Publication date:
15 Nov 2012
Yale University Press
376 pages: 273 x 210mm
50 color + 200 b-w illus.
Sales territories:

Buy this eBook

You can purchase this title from a number of online retailers:

The French Republic—with its rallying cry for liberty, equality, and fraternity—emerged in 1870, and by 1880 had developed a coherent republican ideology. The regime pursued secular policies and emphasized its commitment to science and technology. Naturalism was an ideal aesthetic match for the republican ideology; it emphasized that art should be drawn from the everyday world, that all subjects were worthy of treatment, and that there should be flexibility in representation to allow for different voices.

Art of the Actual examines the use of naturalism in the 19th-century. It explores how pictures by artists such as Roll, Lhermitte, and Friant could be read as egalitarian and republican, assesses how well-known painters including Degas, Monet, and Toulouse-Lautrec situated their painting vis-à-vis the dominant naturalism, and opens up new arguments about caricatural and popular style. By illuminating the role of naturalism in a broad range of imagery in late 19th-century France, Richard Thomson provides a new interpretation of the art of the period.

Richard Thomson is Watson Gordon Professor of Fine Art at the University of Edinburgh.

"By boldly stating at the outset that ‘Naturalism was the dominant aesthetic of late 19th century France,’ he paves the way for a revelatory exploration of the works of all sorts of more or less forgotten artists… Even turning the pages and looking at the illustrations before reading the consistently compelling text is an education in itself." —David Ekserdjian, The Spectator

Page spreads