"Made to Play House" by Miriam Formanek-Brunell

Made to Play House Dolls and the Commercialization of American Girlhood, 1830-1930 Miriam Formanek-Brunell

Format:
Paperback
Publication date:
21 Jan 2014
ISBN:
9780300207583
Imprint:
Yale University Press
Dimensions:
248 pages: 229 x 152mm
Sales territories:
World

Categories:

Dolls have long been perceived as symbols of domesticity, maternity, and materialism, designed by men and loved by girls who wanted to "play house." In this engagingly written and illustrated social history of the American doll industry, Miriam Formanek-Brunell shows that this has not always been the case. Drawing on a wide variety of contemporary sources—including popular magazines, advertising, autobiographies, juvenile literature, patents, photographs, and the dolls themselves—Formanek-Brunell traces the history of the doll industry back to its beginnings, a time when American men, women, and girls each claimed the right to construct dolls and gender.

Formanek-Brunell describes how dolls and doll play changed over time: antebellum rag dolls taught sewing skills; Gilded Age fashion dolls inculcated formal social rituals; Progressive Era dolls promoted health and active play; and the realistic baby dolls of the 1920s fostered girls' maternal impulses. She discusses how the aesthetic values and business methods of women doll-makers differed from those of their male counterparts, and she describes, for example, Martha Chase, who made America's first soft, sanitary cloth dolls, and Rose O'Neill, inventor of the Kewpie doll. According to Formanek-Brunell, although American businessmen ultimately dominated the industry with dolls they marketed as symbols of an idealized feminine domesticity, businesswomen presented an alternative vision of gender for both girls and boys through a variety of dolls they manufactured themselves.

Miriam Formanek-Brunell is assistant professor of history at Wellesley College.

"A fascinating book, full of new information and astute observation. Formanek-Brunell's use of material culture is unusually perceptive and convincing; she has an eye for the telling detail and a wide knowledge of the changing appearance and manufacture of dolls. The illustrations add a great deal, not only embellishing the text but advancing the argument. The book will appeal to collectors as well as to social historians, women's studies scholars, and historians of consumer culture."óBarbara Melosh, George Mason University