“Perhaps that is Zhadan’s greatest achievement. Transforming Kharkiv into Mesopotamia, he renders it as a place of irrepressible life and inexhaustible love. And, in doing so, he urges us out and into the world, to be with and for each other. His Ukraine is a republic of love.” —Jacob Reynolds, Spiked

"Unlike Joyce’s Dublin, the cradle of Zhadan’s civilization is a place of refuge for young people fleeing hardscrabble lives in the provinces, and a hardscrabble home for natives buoyed by desire yet adrift amid the flotsam of a spent empire.  The men and women in these comic and heartfelt pages endure the dynamic paralysis that comes over those who are all dressed up with nowhere to go.  They aspire, struggle, fight, fail, drink, fuck, and then they fight some more.  Amid the city’s detritus, they refuse to become part of it by continuing to love and dream.  There is nothing marginal about them.  They insist on being seen, heard, understood.  They will charm and madden you.  They will haunt your dreams, and you will never forget them."—Askold Melnyczuk, author of House of Widows

"To say that Serhiy Zhadan is a poet, a novelist, a rock star, a protester, a symbol of his country’s desire for freedom and change, is to say the truth—but what is truth? Zhadan is a literary master of enormous force. At times he combines the energy of Jack Kerouac and atmospheric spell of Isaac Babel, at other times he is a balladeer of his country’s struggle. 'Such strange things have been happening to us,' he writes, of the streets where 'winters are not like winters / winters live under assumed names.' In Mesopotamia’s nine stories and thirty poems we find ourselves in the newly independent Ukraine, stunned by its grit, its rough backbone—and its tenderness. What do we discover here? That 'Light is shaped by darkness / and it's all up to us.' We also discover that Serhiy Zhadan is one of those rare things—almost impossible to find now in the West—a national bard, a chronicler. This is a book to live with."—Ilya Kaminsky

"Zhadan is the rock star of lyrical melancholy, and Mesopotamia is not just a book of short stories but a cosmos with Kharkiv-Babylon at its center. We meet its lovesick citizens at weddings and funerals; their visceral, fantastical lives unfold in the intensely prophetic atmosphere of the upcoming war."— Valzhyna Mort, author of Factory of Tears

"With tales at once earthy and phantasmagorical, sentimental and anarchic, Zhadan is an exhilarating chronicler of a new kind of borderlands."—Sana Krasikov

"Serhiy Zhadan’s dazzling novel—here fantastically well translated—evokes voices that get under our skin and take us into the rich inner life of people about whom we have long known nothing."—Marci Shore, author of The Ukrainian Night: An Intimate History of Revolution