The Renaissance of Etching Catherine Jenkins, Nadine M. Orenstein, Freyda Spira
- Price: £50.00
- Add to Basket
Share this page:
- Format:
- Hardback
- Publication date:
- 12 Nov 2019
- ISBN:
- 9781588396495
- Imprint:
- Metropolitan Museum of Art
- Dimensions:
- 304 pages: 267 x 229mm
- Illustrations:
- 237 color illus.
- Sales territories:
- World
Categories:
The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries
The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.
The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.
Catherine Jenkins is an independent scholar. Nadine Orenstein is Drue Heinz Curator in Charge, and Freyda Spira is associate curator, both in the Department of Drawings and Prints at The Metropolitan Museum of Art.
-
Vittore Carpaccio
Peter Humfrey£45.00 -
The Tudors
Elizabeth Cleland£50.00 -
Raphael
David Ekserdjian£40.00 -
The Renaissance Restored
Matthew Hayes£50.00 -
The Medici
Keith Christiansen£50.00 -
The Italian Renaissance Altarpiece
David Ekserdjian£60.00 -
Durer's Journeys
Susan Foister£40.00 -
Renaissance Treasures from the Edmond Foulc Collection
Jack Hinton£9.00 -
Italian Paintings in the Norton Simon Museum
Nicholas Penny£60.00 -
Art and Curiosity Cabinets of the Late Renaissance - A Contribution to the History of Collecting
Julius Von Schlosser£50.00 -
Street Life in Renaissance Italy
Fabrizio Nevola£45.00 -
Living Pictures
Noa Turel£50.00 -
Bernini's Michelangelo
Carolina Mangone£50.00 -
Titian
Matthias Wivel£30.00 -
El Greco
Rebecca J Long£35.00 -
Making Marvels
Wolfram Koeppe£50.00 -
The Art of Paper
Caroline Fowler£35.00 -
Leonardo
Leah Kharibian£10.00 -
Young Bomberg and the Old Masters
Richard Cork£16.95