Seen from Behind Perspectives on the Male Body and Renaissance Art Patricia Lee Rubin
- Price: £50.00
- Add to Basket
Share this page:
- Format:
- Hardback
- Publication date:
- 13 Nov 2018
- ISBN:
- 9780300236552
- Imprint:
- Yale University Press
- Dimensions:
- 288 pages: 279 x 216mm
- Illustrations:
- 263 color + b-w illus.
- Sales territories:
- World
Categories:
Renaissance bodies, dressed and undressed, have not lacked attention in art historical literature, but scholarship on the male body has generally concentrated on phallic-oriented masculinity and been connected to issues of patriarchy and power. This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind. Representations of the male body’s behind have often been associated with things obscene, carnivalesque, comical, or villainous. Presenting serious scholarship with a deft hand, Seen from Behind expands our understanding of the motif of the male buttocks in Renaissance art, revealing both continuities and changes in the ways the images convey meaning and have been given meaning.
Patricia Lee Rubin is professor of Renaissance art at the Institute of Fine Arts, New York University.
“Rubin’s writing is super fruity” — James Hall, The Art Newspaper
“Rubin offers many valuable insights on what Lucian Freud called the 'emotional vocabulary' of the naked body and the resonance and recurrence of postures: hands on hips, legs astride or prone with the buttocks raised [. . .] She has opened up a wonderful subject” —Alan Hollinghurst, Literary Review
“Although the text is remarkably playful [. . .], its rhetorical lightness is paired with substantial argument” —Sarah Betzer Burlington Magazine
“Rubin offers many valuable insights on what Lucian Freud called the 'emotional vocabulary' of the naked body and the resonance and recurrence of postures: hands on hips, legs astride or prone with the buttocks raised [. . .] She has opened up a wonderful subject” —Alan Hollinghurst, Literary Review
“Although the text is remarkably playful [. . .], its rhetorical lightness is paired with substantial argument” —Sarah Betzer Burlington Magazine
-
Vittore Carpaccio
Peter Humfrey£45.00 -
The Tudors
Elizabeth Cleland£50.00 -
Raphael
David Ekserdjian£40.00 -
By Her Hand
Eve Straussman-Pflanzer£30.00 -
The Renaissance Restored
Matthew Hayes£50.00 -
The Medici
Keith Christiansen£50.00 -
The Italian Renaissance Altarpiece
David Ekserdjian£60.00 -
Durer's Journeys
Susan Foister£40.00 -
Renaissance Treasures from the Edmond Foulc Collection
Jack Hinton£9.00 -
Italian Paintings in the Norton Simon Museum
Nicholas Penny£60.00 -
Art and Curiosity Cabinets of the Late Renaissance - A Contribution to the History of Collecting
Julius Von Schlosser£50.00 -
Street Life in Renaissance Italy
Fabrizio Nevola£45.00 -
Living Pictures
Noa Turel£50.00 -
Bernini's Michelangelo
Carolina Mangone£50.00 -
Titian
Matthias Wivel£30.00 -
El Greco
Rebecca J Long£35.00 -
Making Marvels
Wolfram Koeppe£50.00 -
The Art of Paper
Caroline Fowler£35.00 -
Leonardo
Leah Kharibian£10.00 -
Young Bomberg and the Old Masters
Richard Cork£16.95